Wednesday, April 25, 2007

Top DVD Releases in May/June 2007

Top DVD Releases in May/June




1. Pan's Labyrinth (New Line Platinum Series) DVD ~ Ariadna Gil
2. Scrubs - The Complete Fifth Season DVD ~ Zach Braff
3. Dreamgirls (Two-Disc Showstopper Edition) DVD ~ Jamie Foxx
4. Deadwood - The Complete Third Season DVD ~ Michael Almereyda
5. Seinfeld - Season 8 DVD ~ Tom Cherones
6. Apocalypto (Widescreen Edition) DVD ~ Rudy Youngblood
7. Letters from Iwo Jima (Two-Disc Special Edition) DVD ~ Ken Watanabe
8. The 4400 - The Complete Third Season DVD ~ John Behring
9. Will & Grace - Season Six DVD ~ James Burrows (II)
10. Little Children DVD ~ Kate Winslet
11. Beauty and the Beast - The Second Season DVD ~ Roy Dotrice
12. The Fountain (Widescreen Edition) DVD ~ Hugh Jackman
13. The O.C. - The Complete Fourth Season DVD ~ Peter Gallagher
14. Melrose Place - The Second Season DVD ~ Gabrielle Beaumont
15. Beverly Hills, 90210 - The Second Season DVD ~ Jason Priestley
16. Roots (Four-Disc Collector's Edition) DVD ~ Maya Angelou
17. Becket DVD ~ Richard Burton
18. Catch & Release DVD ~ Jennifer Garn
19. The Painted Veil DVD ~ Naomi Watts
20. The Rockford Files: Season Four DVD ~ Noah Beery Jr.
21. The King of Queens - The Complete Eighth Season DVD ~ King of Queens
22. Because I Said So (Widescreen Edition) DVD ~ Diane Keaton
23. Venus DVD ~ Peter O'Toole
24. Rescue Me - The Complete Third Season DVD ~ Rescue Me
25. Ghost Rider - Extended Cut (Two-Disc Special Edition) DVD ~ Matt Long (II)
26. The Good German DVD ~ Jack Thompson
27. Alpha Dog (Widescreen Edition) DVD ~ Bruce Willis
28. Norbit (Widescreen Edition) DVD ~ Eddie Murphy
29. Bridge to Terabithia (Widescreen Edition) DVD ~ Josh Hutcherson
30. Breach DVD ~ Gary Cole
31. Seraphim Falls DVD ~ Liam Neeson
32. Shirley Valentine DVD ~ Pauline Collins
33. Happily N'ever After (Widescreen Edition) DVD ~ George Carlin
34. Fur - An Imaginary Portrait of Diane Arbus DVD ~ Nicole Kidman
35. Epic Movie (Unrated Edition) DVD ~ Tony Cox
36. The Number 23 (Infinifilm Edition) DVD ~ Jim Carrey
37. Primeval DVD ~ Dominic Purcell
38. Music and Lyrics (Widescreen Edition) DVD ~ Hugh Grant



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Monday, April 16, 2007

DVD Releases on May 2007

May 1, 2007




May 8, 2007





May 15, 2007 & Beyond





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No stars, no ‘Spider-Man 4’ says Dunst

Making the fourth film without Raimi, Maguire would be ‘disrespectful’

Sam Raimi, center, chats with Tobey Maguire, right, as actress Kirsten Dunst, left, smiles upon their arrival at the world premiere of "Spider-Man 3" in Tokyo Monday, April 16.

LOS ANGELES - Although a “Spider-Man 4” movie is not yet on Hollywood’s drawing board, series star Kirsten Dunst says a sequel without her, co-star Tobey Maguire and director Sam Raimi would be a box office flop.

Entertainment Weekly magazine on Monday cited Raimi as confirming a long-held Hollywood rumors that he might take the directing reins on a movie version of J.R.R. Tolkien’s “The Hobbit” if Peter Jackson is not eventually hired.

Separately Dunst told Entertainment Weekly that if that happens, a “Spider-Man 4” without Raimi, her and Maguire — who plays the comic book superhero — would be “disrespectful to the whole team.”

“Audiences aren’t stupid. It’d be a big flop without me, Tobey or Sam,” Dunst said in a story posted on the celebrity magazine’s Web site, ew.com.

The interviews come as “Spider-Man 3,” which is distributed by Columbia Pictures, began a series of premieres starting in Tokyo on Monday and continuing around the world until the film’s global debut in theaters on May 4.

Entertainment Weekly asked Raimi if he might direct “The Hobbit” instead of Jackson, who won Oscars and scored huge box office hits with the trilogy of movies based on Tolkien’s “The Lord of the Rings” fantasy novels.

“I don’t know what’s going to happen next for me right now,” Raimi said. “First and foremost, those are Peter Jackson and Bob Shaye’s films. If Peter didn’t want to do it, and Bob wanted me to do it — and they were both okay with me picking up the reins — that would be great.”

Shaye is co-chief executive of New Line Cinema, the studio that distributed the “Lord of the Rings” movies and owns rights to make a film based on fantasy “The Hobbit.”

Late in 2006, Jackson said New Line might make “The Hobbit” without him. He and his producing partners have refused to work on a “Hobbit” movie until the parties settle a lawsuit over 2001’s “The Lord of the Rings: The Fellowship of the Ring.”

Entertainment Weekly said if Raimi took “The Hobbit,” then a possible “Spider-Man 4” could be left without a director. The speculation prompted Dunst’s comments.

The actress, who portrays Spider-Man’s love interest in the movies, said she did not think Columbia would pursue “Spider-Man 4” without Raimi.

“That would really not be the smartest move. But they already know that. Amy Pascal would never do that,” Dunst said, referring to Sony Pictures Entertainment’s chairman.

Columbia Pictures is a division of Sony Pictures Entertainment, which is the film and television studio owned by Japanese electronics giant Sony Corp. New Line is part of Time Warner Inc.

----------------------------News from MSNBC



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Friday, April 13, 2007

5 Tops Best Bond Girls

Halle Berry as Jinx in “Die Another Day” (2002)
Bond women aren’t usually appreciated for their acting assets, but Halle Berry brings something to the role that no other Bond girl ever has — Oscar, acting Oscar. Like Michelle Yeoh in “Tomorrow Never Dies,” Jinx is Bond’s equal. Bond first glimpses Jinx, who is an agent for the NSA, emerging from the ocean, skimpy bathing suit and all. It’s an obvious homage to Ursula Andress in “Dr.No” that works. To whatever effect, Berry rises above what may be one of the worst Bond films ever made. C’mon, it has an invisible car. Fortunately, Berry is anything but invisible.



Famke Janssen as Xenia Onatopp in “Goldeneye” (1995)Perhaps her name should have been Xenia Overdatopp? What else can one say about a woman who gets aroused by murder, especially squeezing men to death between her vice-like thighs? Still, given Bond’s skill at seduction, driving a wedge in Xenia’s evil plan requires great care. They first meet on a mountain road with dueling cars, then in a casino with dueling wit, then in a sauna, with dueling libido. If anyone could get the best of James, it’s Xenia. With her, his manhood is at stake in more ways than one.




Michelle Yeoh as Wai Lin in “Tomorrow Never Dies (1997)
A member of the Chinese People’s External Security Force, Wai Lin matches Bond tit for tat. Who else, faced with likely death would not only jump off a building with Bond, but suggest it? When the two make their escape on a motorcycle handcuffed together, each holds one handlebar and they steer as if one. When safe, they shower together after which Wai Lin locks Bond to a pipe and runs off because she works alone. She then beats up an entire gang before deciding to work with him. Wai Lin practically makes Bond look wimpy.


Diana Rigg as Tracy Di Vincenzo in “On Her Majesty’s Secret Service” (1969)
It’s not exactly clear what first attracts Bond to the headstrong Di Vincenzo, yet somehow their love, yes love, makes sense by the end of the film. Tracy captures Bond’s heart, which is something no other Bond girl has ever done. The audience doesn’t get a sense of what Bond truly sees in Tracy until the end of the film when she rescues him from Blofeld’s mountain lab. She can drive, she can ski, and she can fight. Sadly, Blofeld gets his revenge on Bond in what is easily the most tragic ending of the series, leaving the audience to wonder “what if?”



Ursula Andress as Honey Rider in “Dr. No” (1962)
Like George Washington is the first president by which all other presidents are measured, so Ursula Andress sets the standard for all other Bond girls. Honey Rider emerges as if literally out of a dream. Bond wakes up on the beach and sees her, rising up out of the water, shells in hand. He’s somewhat dumbstruck, but not for long. “What are you doing here? Looking for shells?” she asks. “No,” Bond tells her. “I’m just looking.” So was everyone else, who like Bond, was both shaken and stirred by Andress.



Who is your favorite Bond girl?
Vote at MSNBC





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Spider-Man 3 Picture


















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Thursday, April 12, 2007

Jackie Chan and Jet Li to star together


Jet Li Two martial arts stars have never done a film together

HONG KONG - The first film pairing of kung fu stars Jackie Chan and Jet Li will tell the tale of an American teenager’s fantasy journey to ancient China to rescue a mythological monkey king, the film’s U.S. distributor said Wednesday.

“The Forbidden Kingdom” will start shooting May 2 in movie studios in Hengdian, located southwest of Shanghai, and neighboring locations, the movie’s producer, Casey Silver, said in a phone interview with The Associated Press.

The project has drawn attention because of the teaming of the two stars but plot details have been scarce.


The story line originates from the classic Chinese novel “Journey to the West,” in which a monkey king helps guard a Buddhist monk who searches for religious texts.


In this new version, the teenager, a fan of kung fu movies, travels back in time after discovering the monkey king’s stick weapon in a Chinatown pawn shop, film distributor Lionsgate said in a news release.

Jackie Chan
While Chan’s and Li’s roles are still under wraps, the film could offer a sharp contrast of fighting styles. Chan is known for his improvisational, defensive moves while Li tends to dominate his on-screen opponents.
Famed kung fu choreographer Yuen Woo-ping, known for his work on the “Matrix” trilogy, will design the action sequences in “Forbidden Kingdom,” and Rob Minkoff, who made “Stuart Little” and “The Lion King,” will direct the movie. Cinematographer Peter Pau, who won an Oscar for his work on “Crouching Tiger, Hidden Dragon,” will shoot the movie.

Both Chan and Li made their names in Hong Kong cinema before moving on to Hollywood.

Chan was recently filming the third installment of the “Rush Hour” series with Chris Tucker. Li’s recent Hollywood credits include “Cradle 2 the Grave” and “Kiss of the Dragon.”



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‘Spider-Man’ star unsure about fourth film


Tobey Maguire


But Tobey Maguire says third film offered ‘fresh story’ for character

NEW YORK - Tobey Maguire, star of “Spider-Man 3,” isn’t sure he’d play the superhero a fourth time.

“I appreciate movies from a standpoint of entertainment and distraction, and I also love when people make movies that help raise awareness,” says the 31-year-old actor, whose films also include “The Cider House Rules” and “Seabiscuit.”

“I don’t really have a lot of formed ideas. It’s more just thoughts,” he tells Men’s Journal in its May issue, on newsstands Tuesday. “I might do another ‘Spider-Man’ movie — I don’t know.”

Maguire says “Spider-Man 3” has a “fresh story” for his character.

“The public is adoring him, and it goes to his head. He’s behaving arrogantly and is self-involved, which changes the feeling of the character for me. And it just gets darker from there,” he says.

Maguire says he talks to the media to publicize his movies — “I don’t feel compelled to share anything.”


“I used to prepare to go to battle with journalists,” he tells the magazine. “Now I don’t have my feet planted. I won’t talk about what I won’t talk about, but I’m more relaxed about it.”
Maguire says he began attending Alcoholics Anonymous meetings at 19 because his life had become oddly predictable.


“I have an addictive nature,” he says, “an obsessive-compulsive nature — well, I don’t know that’s what it is clinically. But I go to addictive extremes, and before I got sober, that became routine.”

Maguire is engaged to Jennifer Meyer, a 29-year-old jewelry designer. They have a 5-month-old daughter, Ruby Sweetheart.

“When she smiles, it’s the most fantastic thing ever,” he says. “But it’s not like I didn’t expect that. I expected to fall completely in love with my child.”

Columbia Pictures’ “Spider-Man 3” opens May 4.


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Friday, April 6, 2007

“Grindhouse”


“Grindhouse”

Starring: Kurt Russell, Zoe Bell, Rosario Dawson, Rose McGowan, Freddy Rodriguez, Jeff Fahey, Michael Parks, Josh Brolin, Michael Biehn, Marley Shelton, Jordan Ladd, Sydney Tamiia Poitier, Vanessa Ferlito, Mary Elizabeth Winstead

Directors: Quentin Tarantino and Robert Rodriguez

Story: Rodriguez and Tarantino bring back the golden age of exploitation flicks with this pair of films. Rodriguez directs “Planet Terror,” which stars Brolin and Shelton as a pair of doctors who treat people with some fairly strange infections and sores. It’s up to a go-go dancer (McGowan), who has a machine gun for an artificial leg, and her martial arts wiz boyfriend (Rodriguez) to defeat the zombie army. Tarantino directs “Death Proof,” which tells the story of a group of women on a movie set (Dawson, Winstead, Bell) who are being stalked by a stunt man (Russell), who uses his “death proof” cars as the ultimate weapon.

Buzz: Remember those old movies that used to play after midnight on TV in the pre-cable days? Well, this is a throwback to that kind of fun. The directors have packaged the two films together and have even included some fake trailers for movies called, “They Call Him Machete,” “Werewolf Women of the S.S” (this trailer is directed by Rob Zombie), “Thanksgiving” (trailer by Eli Roth) and a yet unnamed trailer by “Shaun of the Dead” director Edgar Wright. These movies are popcorn films through and through — just two filmmakers who love movies having a great old time.



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Review: Exciting 'Grindhouse' a wild ride

By Tom Charity
Special to CNN

(CNN) -- When filmmakers talk about how great the movies were back in the 1970s, they're usually thinking about "The Godfather," "Chinatown," or "Dog Day Afternoon."

But when Quentin Tarantino and Robert Rodriguez wax lyrical about that period, they have something else in mind: Filipino shoot-'em-ups, Italian slasher films, Mexican vigilante movies and Roger Corman girls-behind-bars flicks. This kind of exploitation cheapie would play on the drive-in circuit or in seedy inner-city theaters, promising sleazy thrills and no refunds.

Those days are gone, and "Grindhouse" -- the directors' supercharged attempt to resurrect the illicit B-movie double feature -- will have to play sterile, sanitary multiplexes alongside such respectable mainstream fare as "Wild Hogs," "TMNT" and "300," all of which wear the imprint of exploitation cinema with pride (the biker movie, kung fu picture and gorefest, respectively).

The truth is, the trash movies Tarantino champions have long since gone mainstream, albeit with bigger budgets and watered down for MPAA approval. That goes for "Grindhouse" too, which cost a reported $50 million to produce, and which anyone under the age of 17 can enjoy with an enabling adult in tow.

Still, the dynamic duo do their utmost to transport us back to the good old bad old days: the package includes irresistible faux trailers for Rob Zombie's "Werewolf Women of the SS" and Eli Roth's seasonal slasher movie "Thanksgiving," among others.

In the first feature, Rodriguez's "Planet Terror" -- a campy contribution to the zombie genre -- the director (who shot on digital) has gone to the trouble of defacing his print, adding the scratches, warp and weave you would expect from beaten-up second-run celluloid. (Tarantino very pointedly shot on film, but has a harder time replicating the effect.) At one key point he even cuts to a "Reel Missing" slide, making for one of the best jokes of the film.

Adolescents of all ages will get a kick out of Rose McGowan's voluptuous one-legged go-go dancer, Cherry, stomping around with a submachine gun stuck into her stump. Apparently she can fire at will, without the bother of manually pulling the trigger. (It's that kind of picture.)

She's the linchpin in an unlikely band of survivors battling it out with rampaging flesh-eating mutants in a Tex-Mex border town.

"Planet Terror" certainly gives the audience its money's worth. Unlike most genuine exploitation films, which couldn't afford to muster more than a couple of set-pieces amid wooden acting and long, dull expository stretches, "Planet Terror" is so jam-packed with lurid mayhem it scarcely leaves any breathing room. When the cast does get a chance to sit down and talk, the patter is always parody.

It's fun, for sure. But after 80-some minutes of nonstop carnage, cleavage and cool, the riff begins to ring a little hollow.

To say Tarantino's "Death Proof" represents a change of pace is like saying summer is hotter than winter. For 40 minutes four girls sit and gab: in a car, in a bar, and in another bar. Then something really terrible happens and the movie starts over again: four girls in a car.

If Tarantino wanted to concoct one of the more audacious false starts in the movies -- and we can be sure that he did -- he has succeeded in spades. Whether it had to be quite such an arid dry run is another question entirely -- and coming on the bottom half of the bill probably hasn't done "Death Proof" any favors in this regard.

But Tarantino is playing the long game. Yes, the director's distinctive pop talk frequently veers into self-parody, and a couple of wobbly performances (including the second egregious cameo of the night from the man himself) only make things worse.

But all this downtime finally pays off in an old-school car chase that will have you clinging on to whoever's sitting next to you for dear life -- not just because the stunt work is breathtaking (which it is) but because after hanging out with the protagonist, stuntwoman Zoe Bell, we actually care whether or not she breaks her neck. (And kudos to Kurt Russell for his reprisal of a classic B-movie wacko ... with a deliberate nod to "Escape from New York's" Snake Plissken.)

Caring about consequences make all the difference between empty pastiche and what we might call, for old time's sake, "a real movie." Rodriguez never stops with the action, but Tarantino delivers the goods. And so, finally, does "Grindhouse."




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Man pleads not guilty in director crash

Man pleads not guilty in director crash LOS ANGELES - A driver arrested after the crash that killed "A Christmas Story" director Bob Clark and his son pleaded not guilty Friday to two counts of gross vehicular manslaughter while intoxicated.

Prosecutors say Hector Velazquez-Nava, a 24-year-old Mexican national, was drunk when he steered his sport utility vehicle into the wrong lane of Pacific Coast Highway early Wednesday, and struck Clark's sedan. Clark, 67 and his son, Ariel Hanrath-Clark, 22, died at the scene.

Velazquez-Nava had a blood-alcohol level of 0.24 percent, three times the legal limit, authorities said. Both he and his passenger were treated for minor injuries.


"The family of Velazquez-Nava ... are very much hurt and they want to offer their deepest condolences to the family, to the Clark family," said defense attorney John Borges.

Velazquez-Nava was being held on $200,000 bail, although a federal immigration hold prevents him from posting bail. Immigration officials have said he is in the country illegally.

If convicted, he could face at least 10 years in state prison, prosecutors said.


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Thursday, April 5, 2007

EW review: 'Reaping' a bad movie

EW review: 'Reaping' a bad movie By Owen Gleiberman
Entertainment Weekly

(Entertainment Weekly) -- Katherine Winter, played by Hilary Swank in her dutiful-yuppie-good-listener mode, is a former minister, and now a professor, who travels the world defusing the lustrous credibility of miracles. Swank must know the feeling: She has won two Academy Awards, and she's still doing movies like "The Reaping."

Katherine is summoned to the sleepy Bible Belt backwater of Haven, Louisiana, and the first thing she confronts is a river of blood -- a pretty cool image, to be sure, though Katherine is certain there's a rational explanation for it.
To her, science can explain everything, and she hews to that belief (which is really a lack of Belief, you see), at one point delineating how the 10 biblical plagues were all natural phenomena. This woman could witness the parting of the Red Sea and think, without hesitation, that it should be reported to the Weather Channel.


In "The Reaping," every one of those biblical plagues appears, but they can't be accounted for by science, only by studio executives who theorize that an apocalyptic "religious" horror movie is the perfect way to tap into the evangelical market. (It sure beats the PG-rated piffle released by FoxFaith films.)

Having seen the error of her ways (science = bad!), our heroine finds the reverence to battle frogs, dead cows, locusts, and -- just to hedge the movie's bets -- a spooky blond girl who could be Satan's messenger. But no belief on earth can rescue Swank from a film that's a chain of disaster chintz masquerading as a sermon.

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News crom CNN.com

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Hefner recalls Anna Nicole Playboy days

Hefner recalls Anna Nicole Playboy days Hefner recalls Anna Nicole Playboy days

Hefner recalls Anna Nicole Playboy days


By SANDY COHEN, AP Entertainment Writer

LOS ANGELES - Take Hugh Hefner out of the running.

"I can make clear at this time," he says, "that I am not the father of the child."
The Playboy magnate enjoys his laugh about the paternity uncertainties still swirling around Anna Nicole Smith but his feelings about the former Playmate turned pop icon are no joke. In serious fashion, his bunny empire will offer three upcoming Smith tributes: a 10-page pictorial in the magazine's May issue, an hourlong retrospective on Playboy TV and an online memorial on Playboy.com.


Smith, who first appeared on the magazine's cover in March 1992 and was named Playmate of the Year in 1993, was 39 when she died of an accidental drug overdose in February.

So what was it about the buxom blonde Texan that Hefner found so alluring?
"It was her presence in front of the camera," he told The Associated Press Thursday, chatting in the library of his famed Playboy Mansion. "She was one of those who loved being in front of the camera and came alive in front of the camera. There was very clearly a Marilyn Monroe quality about her and that aspiration was clear from the very beginning. She talked about Marilyn Monroe all the time."

Smith often posed like Monroe, he said. At a Halloween party in 2004, she came dressed in a "Marilyn Monroe-type outfit" accompanied by three men in tuxedos: her attorney Howard K. Stern, boyfriend Larry Birkhead and son Daniel.

"The irony in terms of Anna Nicole's fascination with Marilyn Monroe is how successful she was in building a similar kind of career, not through acting but simply through celebrity itself," said Hefner, in his usual silk pajamas and smoking jacket. "The tragedy is she lived large as Marilyn did and died in a very similar way."

She was still Vickie Smith' when she first caught the eye of Playboy editors, who argued over whether to include her in the magazine.

"She came here and she weighed about 160 pounds," Hefner recalled. "We like the voluptuous ladies but not that voluptuous. It was a wonderful statement for the simple fact that beauty has no limitation in terms of size. You can be a big lady and a beautiful lady, and she was."

With three tributes, might Playboy be opening itself to criticism for profiting from Smith's death? Not the case, Hefner quickly replied. "It's quite frankly celebrating her in a way that she would appreciate."

The publishing titan turns 81 on Monday, but makes little concession to the calendar. He just celebrated his birthday with a bash in Las Vegas, and recently started work on the third season of "The Girls Next Door," an E! reality show about life with his girlfriends Holly Madison, Bridget Marquardt and Kendra Wilkinson. Their upcoming adventures include an appearance at the Toyota Grand Prix, where Hefner will serve as grand marshal (and Wilkinson will drive a race car), and a trip to Monte Carlo at the invitation of Prince Albert, Hefner said.

And the chatter about Hef getting engaged? Just rumors, he said.

"I am in a very serious relationship with Holly," he explained. "I love all three of the girls, but the relationship with Holly will last, certainly, for the rest of my life. Whether it leads to marriage, we will see. I've tried marriage twice before without great success, and at this moment, I don't want to spoil the relationship."



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The Reaping (2007)


The Reaping (2007)

Theatrical Release: 4/5/2007
Cast: Hilary Swank, AnnaSophia Robb, David Morrissey, Idris Elba, Stephen Rea
Director: Stephen Hopkins

The Reaping (2007)

Katherine Winter doesn’t believe in miracles--she believes in facts. A former minister, Katherine turned her back on the cloth after losing her young daughter and husband while doing missionary work in the Sudan, and now seeks answers through scientific investigation rather than prayer. As a university professor, she has become the foremost debunker of supposed miracles, called to sites all over the world to investigate weeping statues, wall stains resembling saints and palms that bleed. And so far, there is no divine mystery she hasn’t solved. But when small-town schoolteacher Doug Blackwell seeks her help with a series of bizarre occurrences the townspeople believe to be sent by God, Katherine and her partner Ben come to learn that sometimes miracles can be treacherous, and the line between faith and superstition is dangerously thin. Hidden among the woods and swamplands of Louisiana, Haven is a town where the rules of reason seem to have been rewritten. A child has died and the river has turned to blood, which is only the beginning of what appears to be a revisiting of the Biblical ten plagues upon the town. For the first time in her professional career, Katherine can’t explain these phenomena with science. The townspeople believe an enigmatic child named Loren McConnell has brought God’s wrath to their doorstep, but what they see as a harbinger of evil, Katherine sees as a lost child needing her help. The more she is drawn into the dark heart of the mystery, the more Katherine discovers her own role in a conspiracy that threatens to shroud the world in darkness.



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Kevin Costner sues music promoter

LOS ANGELES - Kevin Costner has sued a music promoter, claiming the company reneged on a contract to back the actor's fledgling music career.

Costner, 52, filed the lawsuit Tuesday in Superior Court. The suit accuses Mahee Worldwide Ventures Inc. of breach of contract and fraud. Costner is seeking damages in excess of $8.5 million.

Costner is the lead singer in the Kevin Costner Band, for which he also writes songs. He also has a company, Kevin's Music LLC, that manages his musical activities.

The lawsuit claims Costner's company and the promoter entered into a two-year agreement in January that would allow the actor's band to perform in as many as five concerts each year. Mahee also would create and maintain a Web site marketing Costner's band, the lawsuit said.

But Mahee has failed to hold up its end of the deal, according to the lawsuit.

"Defendants made numerous promises regarding their capabilities to promote Mr. Costner's music and (their) willingness to pay for the right to do so," the lawsuit stated. "Instead of following through on their promises, defendants continued to make false promises and ultimately disappeared ..."

An e-mail message left for Mahee was not immediately returned Thursday.


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news from yahoo news
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Wednesday, April 4, 2007

Director Clark, son killed in L.A. crash


LOS ANGELES (Hollywood Reporter) - Bob Clark, best known as the director of the seasonal favorite "A Christmas Story," was killed along with his son Ariel early Wednesday, when their car was struck by a vehicle whose driver was suspected of being intoxicated.

In addition to his 1983 classic, Clark directed about two dozen movies, including the "Porky's" comedies.

The crash was reported at about 2:20 a.m. on southern California's Pacific Coast Highway in Pacific Palisades, authorities said. The road was closed for several hours afterward.

Clark, 67, lived in the Palisades, and his 22-year-old son resided in nearby Santa Monica. Both were pronounced dead at the scene.

Los Angeles police investigators said Clark was driving a 1997 Infiniti Q-30 sedan south on PCH when the driver of a GMC Yukon allegedly swerved and hit the Clark vehicle head-on.

The driver, Hector Velazquez-Nava, 24, of Los Angeles, remained hospitalized and will be booked for investigation of gross vehicular manslaughter after being treated, police Lt. Paul Vernon said. A female passenger in his car also was taken to the hospital with minor injuries, police said.

"Christmas Story" tells the tale of 9-year-old Ralphie Parker, who dreams of getting a Red Ryder air rifle from Santa Claus. He ignores, then nearly fulfills, warnings from a series of adults who tell him, "You'll shoot your eye out, kid." The sappily sweet comedy has become a Christmas staple on the order of "It's a Wonderful Life" and "Miracle on 34th Street."

Clark specialized in horror movies and thrillers early in his career, directing "Children Shouldn't Play With Dead Things," "Murder by Decree," "Breaking Point" and "Black Christmas" in the 1970s.

He enjoyed major success with 1981's "Porky's," which spawned the sequel "Porky's II: The Next Day" two years later.

In recent years, Clark made such family comedies as "Karate Dog," "Baby Geniuses" and its sequel, "Superbabies: Baby Geniuses 2."

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Reuters/Hollywood Reporter
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`Spider-Man 3' premieres at Tribeca fest

`Spider-Man 3' premieres at Tribeca fest

NEW YORK - "Spider-Man 3" will premiere at the Tribeca Film Festival on April 30, the New York festival announced Wednesday.

The third installment of the Sam Raimi directed franchise will debut in the New York City borough of Queens, the hometown of Peter Parker, Spider-Man's alter ego. The premiere will kick off a planned "Spider-Man Week in NYC," which will include events and promotions throughout the city.

"Tribeca is thrilled to be premiering `Spider-Man 3' and to be a part of `Spider-Man Week in NYC,'" Tribeca co-founder Jane Rosenthal said in a statement. "Bringing exciting and new events to NYC and its community is one of the major goals of the festival."

The U.S. premiere of the much anticipated Columbia Pictures release will be the last stop on an eight-city world tour to begin April 16 in Tokyo.

The film, starring Tobey Maguire' and Kirsten Dunst' opens worldwide May 4. This installment introduces two new villains to the series: Sandman Thomas Haden Church and Venom Topher Grace'

The Tribeca Film Festival was founded in 2002 by Robert De Niro' and Rosenthal to help revitalize Lower Manhattan after the terrorist attacks on the World Trade Center.

The sixth annual festival will run from April 25 through May 6

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Columbia Pictures is owned by Sony Corp (NYSE:SNE - news).
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Tuesday, April 3, 2007

Black Book (2007)


Black Book (2007)

Theatrical Release: 4/4/2007
Cast: Carice van Houten ,Halina Reijn ,Thom Hoffman ,Peter Blok

Set in the fall of 1944, a thriller about the Dutch underground based on true events that span nearly a year around Rachel Stein, a young, pretty German Jewish woman who falls for a high-ranking Gestapo officer while seeking revenge for her family's murders. Everyone involved soon finds themselves embroiled in a spider's web of intrigue, treachery and betrayal--to the point where friend and enemy blur together into an indistinguishable line.






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3-D "Vincent" opens Burton's "Nightmare" reissue

Tim Burton
3-D "Vincent" opens Burton's "Nightmare" reissue

LOS ANGELES (Hollywood Reporter) - One ofTim Burton's earliest animated shorts, "Vincent," will be converted to a stereoscopic 3-D form.

The film will play on 3-D-ready digital-cinema screens as the opening attraction to screenings of "Tim Burton's The Nightmare Before Christmas 3-D," which will be re-released by the Walt Disney Co. in October.

Made in 1982, "Vincent" is a six-minute stop-motion film that tells the story of Vincent Malloy, a youth who imagines that he is like Vincent Price. The black-and-white short is based on a poem written by Burton, who was influenced by Price, who narrated the film.

Reuters/Hollywood Reporter


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Monday, April 2, 2007

Thai action hero Jaa kicks up storm at box office



Thai action hero Jaa kicks up storm at box office

BANGKOK, Thailand (Hollywood Reporter) - He's played the lead role in just two movies so far in his young career, but Panom Yeerum -- or Tony Jaa' as international audiences know him -- has quickly become Thailand's biggest movie star and may be one of the world's biggest martial arts stars of his day.

While it would be premature to group Jaa in the same category as his idols Bruce Lee, Jackie Chan' Jet Li' at the rate he is going, some believe he could someday earn a place alongside these greats

Jean-Claude Van Damme's 1989 movie, "Kickboxer," was the first movie to bring muay thai (Thai kickboxing) to a global audience, but it has only been recently that Thai stars have started to break out and gain recognition on the silver screen for their proficiency in Thailand's national sport.

Jaa's deft fighting style and breathtaking stunts has helped establish the Thai action genre on the worldwide cinematic map. His first film, "Ong Bak," made in 2003 and distributed by Magnolia Pictures, exposed audiences to his natural charisma and gravity-defying leaps without the use of wires. The film also contrasts Thailand's countryside with the gritty streets of Bangkok, as Jaa's character seeks a Buddha statue that has been stolen from his village.

"I remember seeing ('Ong Bak') for the first time with (Magnolia) president Eamon Bowles and we literally stood up in the middle of the movie and high-fived each other," recalls Tom Quinn, head of acquisitions for Magnolia. "It brought out the 14-year-old in both of us."
"We walked out and immediately made an offer," he says. "I'm not comparing Tony to Bruce Lee, but if you had the opportunity to buy Bruce Lee's first movie, wouldn't you do everything in your power to do it?"

Quinn and Magnolia brought Jaa to the U.S. for a promotional tour where he charmed and wowed crowds with his live stunts at a variety of venues, including an NBA game during halftime. "Ong Bak" eventually grossed $4.5 million at the U.S. box office and, according to Box Office Mojo, more than $15 million worldwide -- before DVD sales.



Jaa's next movie, "Tom Yum Goong" (named after the red-hot Thai soup), caused a big stir in Thailand during its 2005 release, and it found Jaa again on a mission to reclaim something taken away from his home. This time it was a poached elephant, the beloved national symbol of Thailand.

"Thai action cinema has developed its own unique identity," says Bey Logan, vp Asian acquisitions and co-production for the Weinstein Co., the U.S. distributor for "Tom Yum Goong." "The films feature not only extravagant physical stunt sequences but also distinctive aspects of Thai culture"

Weinstein renamed the film "The Protector" when it came out in U.S. cinemas in September. To boost its appeal for the U.S. audience, the soundtrack was scored by RZA of the popular hip-hop group the Wu-Tang Clan, known for their love of martial arts movies. "The Protector" was also "presented" by Quentin Tarantino' as the first title on Weinstein's new Dragon Dynasty label, which showcases new and classic Asian action movies.

The Protector" grossed $12 million at the U.S. box office and has enjoyed strong DVD sales since its January 16 release. According to Weinstein, almost half a million units were sold during its first two weeks (137,421 of them on the first day).

Following Jaa's lead is Dan Chupong, whose first movie, "Born to Fight," made in 2004, will be released on DVD by Weinstein this spring. "Kon Fai Bin," Chupong's second movie -- and his first as the main star -- combines elements of horror, humor and sorcery. It was released in December in Thailand, and Magnolia will distribute it in the U.S. this summer as "Dynamite Warrior."

Quinn prebought "Dynamite Warrior" having only seen the trailer. But because Chupong's abilities made such a big impression on him in "Born to Fight," he jumped on "Dynamite," following the logic Quinn used when he bought the distribution rights to "Ong Bak," Jaa's first movie in a leading role.

Meanwhile, Jaa is working on "Ong Bak 2," in which he will star and make his directorial debut. Despite the title, it is not a sequel. Instead, it draws on themes found in the first movie, according to Gilbert Lim, executive vp of Sahamongkol Film, the Thai production house behind "Ong Bak" and "Ong Bak 2."

"There's so much interest in this next movie and it's not even half done," Lim says.

"When we used to think about action films from Asia, the first thing that came to mind was Hong Kong," he says. "Ever since 'Ong Bak,' people are looking toward the next place for good action films, and that's Thailand."

Reuters/Hollywood Reporter



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3-D "Robinsons" pulls in $7.1 mln in first weekend


3-D "Robinsons" pulls in $7.1 mln in first weekend

BURBANK, California (Reuters) - The Walt Disney Co.'s animated movie "Meet the Robinsons" raked in $7.1 million over the weekend in theaters screening a new three- dimensional version industry watchers are tracking closely.

Disney said the 3-D "Robinsons" played in 581 theaters equipped with digital projectors and it out-grossed the traditional, two-dimensional version by 2.6 times per theater.

The $7.1 million gives the 3-D film a $12,220 per theater average, which is a strong showing given the weekend's No. 1 film, "Blades of Glory," averaged $9,790 per location in more than 3,300 theaters.

Including both 3-D and 2-D versions, "Meet the Robinsons," which tells of the futuristic adventures of a young boy, took in $25 million in about 3,400 theaters and had a per screen average of around $7,300 to place No. 2 at box offices.

Hollywood and theater owners are closely following ticket sales of 3-D movies because many of them believe cutting-edge digital projectors now being installed in theaters could boost box office by offering alternatives to traditional 2-D movies

Disney is a major proponent of 3-D films having released computer animated "Chicken Little" in a 3-D version in 2005 that raked in $26,000 per theater in around 80 venues. The 2-D version averaged nearly $11,000 a theater in 3,600 locations.

Last summer, Sony Corp (NYSE:SNE - news).'s Columbia Pictures released a 3-D version of computer animated "Monster House" in 162 digitally-equipped theaters and averaged around $15,000 per venue, which was more than 2.5 times the 2-D version.

Other types of alternative content include music concerts and sports games held live in one location and broadcast via satellite to movie theaters around the world.

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"Mr. Bean" drives overseas box office

"Mr. Bean" drives overseas box office


By Frank Segers
News from yahoo news

LOS ANGELES (Hollywood Reporter) - The epic violence of "300" ceded the lead at the foreign box office to the family-oriented "Mr. Bean's Holiday," which grossed an estimated $33.3 million from 26 territories.

The Rowan Atkinson' comedy finished a decisive first in 21 of its 24 new territories, having bowed in Singapore and Malaysia the previous weekend.

Defying exceptionally balmy weather in the U.K., "Holiday" finished first with an estimated $12.8 million, the biggest opening of the year in the market.

Other No. 1 debuts included Germany ($5.5 million) and Australia ($3.2 million) -- both also the markets' biggest bows of the year. In Spain, "Holiday" trailed "300" with $2.2 million.

"Holiday" continues its two-month international rollout this weekend with openings in 18 markets, including Italy, Brazil and Mexico; the film's U.S. bow is August 31. So far on the international circuit, it has accumulated $35.6 million. The first feature in the series, 1997's "Bean," finished with $205 million overseas.

Finishing a close No. 2 for the weekend was "300," which battled its way to $30 million from 52 markets -- exactly twice the number of territories played by "Holiday." The Zack Snyder-directed ancient Greek epic, which topped the international box office for the previous two stanzas, has an overseas total of $125.5 million.

There were two key No. 1 openings, in Brazil and Argentina.

It was key holdovers, however, that threw off the biggest grosses. The U.K. led the list with $4.4 million in the second weekend, for a market total of $17.6 million. In Spain, where it ranked No. 1 for the second weekend, "300" muscled its way to an estimated $3.6 million, for a total of $12.1 million.

In Italy, the title also held the No. 1 spot for the second consecutive weekend with $3.3 million, good for a market total of $10 million. In France, the second weekend's catch was $2.2 million, with a market total of $8.5 million.

In South Korea' a market where local-language films often dominate, "300" remained No. 1 for the third consecutive weekend with $2 million (market total: $15.2 million).

"Meet the Robinsons" opened overseas day-and-date with its domestic bow, grabbing $8.5 million from 22 territories, the weekend's No. 3 international title.

In the U.K., "Robinsons" bowed at No. 3 with $2 million. In Mexico, the film was No. 1 with $1.8 million. The opening in Spain provided a third-place finish with $1.6 million.

In the No. 4 spot overall was "Music and Lyrics," the romantic comedy starring
Hugh Grant' and Drew Barrymore' which warbled $4.2 million from 54 markets. Its international total stands at $73.5 million.


"Norbit" finished No. 5 with $4.1 million from 43 territories, lifting its overseas total to $49.3 million.


Reuters/Hollywood Reporter


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Russia bans DVD, CD street sales




Russia bans DVD, CD street sales

By Nick Holdsworth

News from yahoo news


LONDON (Hollywood Reporter) - Russia has issued a new law banning the sale of DVDs, videocassettes and music CDs from its street markets and kiosks, in a further sign that the Kremlin is getting serious about combating piracy as coveted membership in the
World Trade Organization' moves closer.


The new law, adopted late last week by the Russian government, replaces and updates a widely flouted measure introduced four years ago.


Industry observers in Moscow say the law should lead to a renewed crackdown on piracy through new police campaigns to stop the sale of optical discs at outdoor markets and street-corner kiosks -- the principal point-of-sale for pirated DVDs in Russia.

Issuing the new law also allows the Kremlin to demonstrate that it is getting tough with pirates ahead of WTO accession. Russia's lax record on stemming piracy has been among the key stumbling blocks to its membership in the world's top trade club.


Konstantin Zemchenko, head of the Moscow-based Russian Anti Piracy Organization, which is backed by the major Hollywood studios, applauded the decision to step up Russia's anti-piracy drive.


"Essentially this is not really a new law -- it simply adds computer software and databases to an existing list of banned products -- but at least the government is paying attention to piracy," Zemchenko said. "We can expect for a time to see the police pay a little more attention to street and kiosk sales."


He added that, in the longer term, addressing the lax attitude of police to the sale of pirate goods on Russia's streets is key, as the police often turn a blind eye to piracy in return for payment from vendors.


Reuters/Hollywood Reporter




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